Para que não se diga que a minha vida anda muito parada e que este blogue vive em compasso de pasmaceira e nada acontece. Aviso aos navegantes que no momento estou estudando no Coursera as aulas de Scandinavian Film and Television o que como o título mesmo diz é sobre tv e cinema escandinavo. Uma das primeiras coisas que eu aprendi no curso foi discernir exatamente que P0RR@ é essa de Escandinávia. Até o momento pra mim eles eram todos vikings barbados e rudes. Resumindo, um bando de ogros. Graças ao curso encontrei este site que é um ótimo lugar para você conhecer um pouco mais sobre Dinamarca, Noruega e Suécia. Sim, estes são os países escandinavos. Não deixe de conferir o site do Scandinavia and the World afinal nada melhor do que aprender com um sorriso no rosto.
Diferente dos outros dois cursos que fiz no Coursera este teve uma tarefa que constituia em escrever um pequeno texto em inglês sobre o filme "Ordet" de Carl Th. Dreyer. Fileme este que ganhou o leão de ouro no festival de Veneza de 1955. O filme é fácil de achar no youtube e também nos sites de torrents, pirate bay, e outros. Um filme interessante e que vale a pena conferir. Difícil foi escrever alguma coisa com esse meu inglês estilo the book is on the table. Caso alguém esteja curioso pode conferir o meu trabalho ai em baixo.
The film deals with the
issue of faith what is constantly challenged by questions that arise
day by day in the heart of believers and the conflicts between
different strands of Christianit. Showing forcefully that in the real
world the true faith can only be found in people considered outside
its common judgment or the children who are unable to discern reality
from fantasy . Contradictions between belief and doubt become even
more evident when the pastor tries to get up to prevent Johannes
proceed the resuscitation . The cleric isn't able to
believe in that thing , resurrection of the dead , which is central
in their religion.
The style of the film tends to realism . With a lean scenography and actors working to reinforce this feeling of veracity. Must be noted that the great tool Dreyer is the traveling that accompanies your characters through the action. Putting the viewer in the position of the fly on the wall, as a witness of the family environment. Even the outdoor scenes the camera handling is minimal.
The awakening of Inger the faith of Borgen and Taylor reborn finishing their disputes about what was authentic creed. In the same context we see faith sprout in the heart of Mikkel which hitherto abstained from any kind of religion. Interesting that the cure of Johanes, that alone would be a great miracle enough to end the movie, goes almost unnoticed into the atmosphere that was created for the final scene.
We can say is that the end of the film leaves us optimistic tone about faith both in humans and in life. However the scene of the abort is a scene that is só high tension that shake with the nerves of the expectator in a level that can be compare with the bests moments of Hitchcocke.
The style of the film tends to realism . With a lean scenography and actors working to reinforce this feeling of veracity. Must be noted that the great tool Dreyer is the traveling that accompanies your characters through the action. Putting the viewer in the position of the fly on the wall, as a witness of the family environment. Even the outdoor scenes the camera handling is minimal.
The awakening of Inger the faith of Borgen and Taylor reborn finishing their disputes about what was authentic creed. In the same context we see faith sprout in the heart of Mikkel which hitherto abstained from any kind of religion. Interesting that the cure of Johanes, that alone would be a great miracle enough to end the movie, goes almost unnoticed into the atmosphere that was created for the final scene.
We can say is that the end of the film leaves us optimistic tone about faith both in humans and in life. However the scene of the abort is a scene that is só high tension that shake with the nerves of the expectator in a level that can be compare with the bests moments of Hitchcocke.
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